The Ballad of John Latouche

Author: Howard Pollack

Publisher: Oxford University Press

ISBN: 0190458291

Category: Biography & Autobiography

Page: 648

View: 3379

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Born into a poor Virginian family, John Treville Latouche (1914-56), in his short life, made a profound mark on America's musical theater as a lyricist, book writer, and librettist. The wit and skill of his lyrics elicited comparisons with the likes of Ira Gershwin, Lorenz Hart, and Cole Porter, but he had too, noted Stephen Sondheim, "a large vision of what musical theater could be," and he proved especially venturesome in helping to develop a lyric theater that innovatively combined music, word, dance, and costume and set design. Many of his pieces, even if not commonly known today, remain high points in the history of American musical theater. "A great American genius" in the words of Duke Ellington, Latouche initially came to wide public attention in his early twenties with his cantata for soloist and chorus, Ballad for Americans (1939), with music by Earl Robeson-a work that swept the nation during the Second World War. Other milestones in his career included the all-black musical fable, Cabin in the Sky (1940), with Vernon Duke; an interracial updating of John Gay's classic, The Beggar's Opera, as Beggar's Holiday (1946), with Duke Ellington; two acclaimed Broadway operas with Jerome Moross: Ballet Ballads (1948) and The Golden Apple (1954); one of the most enduring operas in the American canon, The Ballad of Baby Doe (1956), with Douglas Moore; and the operetta Candide (1956), with Leonard Bernstein and Lillian Hellman. Extremely versatile, he also wrote cabaret songs, participated in documentary and avant-garde film, translated poetry, adapted plays, and much else. Meanwhile, as one of Manhattan's most celebrated raconteurs and hosts, he developed a wide range of friends in the arts, including, to name only a few, Paul and Jane Bowles (whom he introduced to each other), Yul Brynner, John Cage, Jack Kerouac, Frederick Kiesler, Carson McCullers, Frank O'Hara, Dawn Powell, Ned Rorem, Virgil Thomson, Gore Vidal, and Tennessee Williams-a dazzling constellation of diverse artists working in sundry fields, all attracted to Latouche's brilliance and joie de vivre, not to mention his support for their work. This book draws widely on archival collections both at home and abroad, including Latouche's diaries and the papers of Bernstein, Ellington, Moore, Moross, and many others, to tell for the first time, the story of this fascinating man and his work.

The ballad of Baby Doe

opera in two acts

Author: Douglas Moore,John Latouche,Library of Congress. Serge Koussevitzky Music Foundation

Publisher: Chappell Music Co

ISBN: N.A

Category: Music

Page: 250

View: 816

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from the Broadway musical.

The Golden Apple

A Musical in Two Acts

Author: Jerome Moross,John Latouche

Publisher: N.A

ISBN: 9781258348977

Category:

Page: 160

View: 5676

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John Alden Carpenter

A Chicago Composer

Author: Howard Pollack

Publisher: University of Illinois Press

ISBN: 9780252070143

Category: Biography & Autobiography

Page: 511

View: 7084

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With this biography, Howard Pollack restores to the public eye a prolific and gifted artist whom Walter Damrosch called "the most American of our composers." Well respected and widely performed during his lifetime, John Alden Carpenter (1876-1951) was one of the first American composers to be influenced by Debussy and Stravinsky and one of the first composers anywhere to incorporate elements of popular song and jazz into concert music. His original yet refined orchestral music was championed by Bruno Walter, Fritz Reiner, Otto Klemperer, Serge Koussevitzky, and other celebrated conductors, and his sensitive songs were performed by such legendary singers as Alma Gluck and Kirsten Flagstad. Pollack skillfully balances Carpenter's personal and musical lives, covering his interactions with musicians of every stripe, his high profile in the Chicago Renaissance cultural scene, and his two marriages (first to the designer and art collector Rue Winterbotham and then, following a protracted affair, to the Chicago socialite Ellen Borden).

American Operetta

From H.M.S. Pinafore to Sweeney Todd

Author: Gerald Martin Bordman

Publisher: N.A

ISBN: 9780735102804

Category: Music

Page: 230

View: 1515

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A study of American musical theater traces its origins, influences, and trends, and focuses on the major productions, composers, and writers

George Gershwin

His Life and Work

Author: Howard Pollack

Publisher: Univ of California Press

ISBN: 9780520933149

Category: Music

Page: 901

View: 958

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This comprehensive biography of George Gershwin (1898-1937) unravels the myths surrounding one of America's most celebrated composers and establishes the enduring value of his music. Gershwin created some of the most beloved music of the twentieth century and, along with Jerome Kern, Irving Berlin, and Cole Porter, helped make the golden age of Broadway golden. Howard Pollack draws from a wealth of sketches, manuscripts, letters, interviews, books, articles, recordings, films, and other materials—including a large cache of Gershwin scores discovered in a Warner Brothers warehouse in 1982—to create an expansive chronicle of Gershwin’s meteoric rise to fame. He also traces Gershwin’s powerful presence that, even today, extends from Broadway, jazz clubs, and film scores to symphony halls and opera houses. Pollack’s lively narrative describes Gershwin’s family, childhood, and education; his early career as a pianist; his friendships and romantic life; his relation to various musical trends; his writings on music; his working methods; and his tragic death at the age of 38. Unlike Kern, Berlin, and Porter, who mostly worked within the confines of Broadway and Hollywood, Gershwin actively sought to cross the boundaries between high and low, and wrote works that crossed over into a realm where art music, jazz, and Broadway met and merged. The author surveys Gershwin’s entire oeuvre, from his first surviving compositions to the melodies that his brother and principal collaborator, Ira Gershwin, lyricized after his death. Pollack concludes with an exploration of the performances and critical reception of Gershwin's music over the years, from his time to ours.

"Break a Leg!" a Treasury of Theatre Traditions and Superstitions

Author: Lisa Bansavage,L. E. McCullough

Publisher: Bookbaby

ISBN: 9780996788953

Category: Drama

Page: 90

View: 8093

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Ever wondered why actors don't wear green onstage? Or never wish each other "good luck"? Or avoid whistling in the dressing room? Or refuse to mention a certain Shakespeare play by name? "BREAK A LEG!" A TREASURY OF THEATRE TRADITIONS AND SUPERSTITIONS is a fascinating compendium of facts and fancies about theatre life, exploring the origin of the colorful traditions and superstitions that are as vital a part of theatre as the plays onstage. Includes entries on: Cats, Candles & Curtains - Peacock, Mirrors & Make-up - Flowers, Jewelry & Thread - The Gypsy Robe - The Ghost Light - Opening Night! - Why Is It Called "the Green Room"? - Don't Quote the Scottish Play! - St. Genesius & Other Saintly Aids to Actors - Unusual Theatre Terms - Famous Actors and Their Superstitions - Stage Turkeys and the Notorious Broadway Moose - Theatre Ghosts . . . and much more. "BREAK A LEG!" A TREASURY OF THEATRE TRADITIONS AND SUPERSTITIONS is the perfect Opening Night gift for your favorite theatre friends or for anyone interested in theatre life and lore.

Arlen and Harburg's Over the Rainbow

Author: Walter Frisch

Publisher: Oxford University Press

ISBN: 0190467339

Category: Music

Page: 152

View: 5691

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"Over the Rainbow" exploded into worldwide fame upon its performance by Judy Garland in the MGM film musical The Wizard of Oz (1939). Voted the greatest song of the twentieth century in a 2000 survey, it is a masterful, delicate balance of sophistication and child-like simplicity in which composer Harold Arlen and lyricist E. Y. "Yip" Harburg poignantly captured the hope and anxiety harbored by Dorothy's character. In Arlen and Harburg's Over the Rainbow, author Walter Frisch traces the history of this song from its inception during the development of The Wizard of Oz's screenplay, to its various reinterpretations over the course of the twentieth century. Through analysis of the song's music and lyrics, this Oxford Keynotes volume provides a close reading of the piece while examining the evolution of its meaning as it traversed widely varying cultural contexts. From its adoption as a jazz standard by generations of pianists, to its contribution to Judy Garland's role as a gay icon, to its reemergence as a chart-topping recording by Hawaiian singer Israel Kamakawiwo'ole, "Over the Rainbow" continues to engage audiences and performers alike in surprising ways. Featuring a companion website with audio and video supplements, this book leaves no path unexplored as it succeeds in capturing the extent of this song's impact on the world.

Aaron Copland

The Life & Work of an Uncommon Man

Author: Howard Pollack

Publisher: Henry Holt and Company

ISBN: 1627798498

Category: Biography & Autobiography

Page: 702

View: 3179

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A candid and fascinating portrait of the American composer. The son of Russian-Jewish immigrants, Aaron Copland (1900-1990) became one of America's most beloved and esteemed composers. His work, which includes Fanfare for the Common Man, A Lincoln Portrait, and Appalachian Spring, has been honored by a huge following of devoted listeners. But the full richness of Copland's life and accomplishments has never, until now, been documented or understood. Howard Pollack's meticulously researched and engrossing biography explores the symphony of Copland's life: his childhood in Brooklyn; his homosexuality; Paris in the early 1920s; the Alfred Stieglitz circle; his experimentation with jazz; the communist witch trials; Hollywood in the forties; public disappointment with his later, intellectual work; and his struggle with Alzheimer's disease. Furthermore, Pollack presents informed discussions of Copland's music, explaining and clarifying its newness and originality, its aesthetic and social aspects, its distinctive and enduring personality. "Not only a success in its own right, but a valuable model of what biography can and probably should be. " - Kirkus Reviews

The Complete Lyrics of Alan Jay Lerner

Author: Alan Jay Lerner

Publisher: Oxford University Press

ISBN: 019064673X

Category: Music

Page: 488

View: 4761

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Alan Jay Lerner wrote the lyrics for some of the most beloved musicals in Broadway and Hollywood history. Most notably, with composer Frederick Loewe he created enduring hits such as My Fair Lady, Gigi, Camelot, and Brigadoon. In The Complete Lyrics of Alan Jay Lerner, editors and annotators Dominic McHugh and Amy Asch bring all of Lerner's lyrics together for the first time, including numerous draft or alternate versions and songs cut from the shows. Compiled from dozens of archival collections, this invaluable resource and authoritative reference includes both Lerner's classic works and numerous discoveries, including his unproduced MGM movie Huckleberry Finn, selections from his college musicals, and lyrics from three different versions of Paint Your Wagon. This collection also includes extensive material from Lerner's two most ambitious musicals: Love Life, to music by Kurt Weill, and 1600 Pennsylvania Avenue, which Lerner wrote with Leonard Bernstein.

The Atonal Music of Arnold Schoenberg, 1908-1923

Author: Bryan R. Simms

Publisher: Oxford University Press on Demand

ISBN: 0195128265

Category: Music

Page: 265

View: 7462

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Between 1908 and 1923, Schoenberg developed a compositional strategy that moved beyond the accepted concepts and practices of Western tonality. This study synthesizes and advances the state of knowledge about this body of work.

The Encyclopedia of Country Music

Author: N.A

Publisher: Oxford University Press

ISBN: 0199920834

Category: Music

Page: 640

View: 5953

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Immediately upon publication in 1998, the Encyclopedia of Country Music became a much-loved reference source, prized for the wealth of information it contained on that most American of musical genres. Countless fans have used it as the source for answers to questions about everything from country's first commercially successful recording, to the genre's pioneering music videos, to what conjunto music is. This thoroughly revised new edition includes more than 1,200 A-Z entries covering nine decades of history and artistry, from the Carter Family recordings of the 1920s to the reign of Taylor Swift in the first decade of the twenty-first century. Compiled by a team of experts at the Country Music Hall of Fame and Museum, the encyclopedia has been brought completely up-to-date, with new entries on the artists who have profoundly influenced country music in recent years, such as the Dixie Chicks and Keith Urban. The new edition also explores the latest and most critical trends within the industry, shedding light on such topics as the digital revolution, the shifting politics of country music, and the impact of American Idol (reflected in the stardom of Carrie Underwood). Other essays cover the literature of country music, the importance of Nashville as a music center, and the colorful outfits that have long been a staple of the genre. The volume features hundreds of images, including a photo essay of album covers; a foreword by country music superstar Vince Gill (the winner of twenty Grammy Awards); and twelve fascinating appendices, ranging from lists of awards to the best-selling country albums of all time. Winner of the Best Reference Award from the Popular Culture Association "Any serious country music fan will treasure this authoritative book." --The Seattle Times "A long-awaited, major accomplishment, which educators, historians and students, broadcasters and music writers, artists and fans alike, will welcome and enjoy." --The Nashville Musician "Should prove a valuable resource to those who work in the country music business. But it's also an entertaining read for the music's true fans." --Houston Chronicle "This big, handsome volume spans the history of country music, listing not only artists and groups but also important individuals and institutions." --San Francisco Examiner "Promises to be the definitive historical and biographical work on the past eight decades of country music. Well written and heavily illustratedan unparalleled work, worth its price and highly recommended." --Library Journal

Unfinished Business

Michael Jackson, Detroit, and the Figural Economy of American Deindustrialization

Author: Judith Hamera

Publisher: Oxford University Press

ISBN: 0190699728

Category: Music

Page: 304

View: 6755

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How does structural economic change look and feel? How are such changes normalized? Who represents hope? Who are the cautionary tales? Unfinished Business argues that U.S. deindustrialization cannot be understood apart from issues of race, and specifically apart from images of, and works by and about African Americans that represent or resist normative or aberrant relationships to work and capital in transitional times. It insists that Michael Jackson's performances and coverage of his life, plays featuring Detroit, plans for the city's postindustrial revitalization, and Detroit installations The Heidelberg Project and Mobile Homestead have something valuable to teach us about three decades of structural economic transition in the U.S., particularly about the changing nature of work and capitalism between the mid 1980s and 2016. Jackson and Detroit offer examples of the racialization of deindustrialization, how it operates as a structure of feeling and as representations as well as a shift in the dominant mode of production, and how industrialization's successor mode, financialization, uses imagery both very similar to and very different from its predecessor.

Hugh Martin

The Boy Next Door

Author: Hugh Martin

Publisher: N.A

ISBN: 9780615365077

Category: Biography & Autobiography

Page: 409

View: 7831

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Hugh Martin: The Boy Next Door is an enchanting jaunt through the Golden Era of Broadway and the MGM musicals. This firsthand account captures the energy and excitement of those special times, with eyewitness tales of Mickey Rooney and Judy Garland, Gene Kelly, and dozens more. Hugh recounts the origins of some of America's most beloved songs, including the perennial favorite, "Have Yourself a Merry Little Christmas." Martin also reveals some secrets that only he could know: the truth about his composition partner Ralph Blane, his addiction to the infamous Dr. Feelgood, Max Jacobson; how he was instrumental in turning Gene Kelly from a performer to a choreographer during the staging of Best Foot Forward; and what it was really like to be part of the MGM musical production machine. As Hugh enters his 96th year, this could be America's last chance to hear these stories from a living source. They are full of his signature charm, grace, musicality, and poeticism.

The Organ as a Mirror of Its Time

North European Reflections, 1610-2000

Author: Kerala J. Snyder

Publisher: Oxford University Press on Demand

ISBN: 0195144155

Category: History

Page: 374

View: 9580

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Because it has always represented a rich collaboration of the music, art, architecture, handicraft and science of its day, the organ, more than any other instrument, continues to reflect the spirit of the age in which it was built. This collection of essays, by leading scholars of the organ, follows the history of six organs in Scandinavia and Northern Germany, telling a unique story of the cultural history of northern Europe during the past four centuries. A CD with appropriate repertoire played on each of the six instruments accompanies the book.

Queers

Eight Monologues

Author: Mark Gatiss

Publisher: N.A

ISBN: 9781848426962

Category:

Page: 96

View: 1683

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A young soldier returning from the trenches of the First World War recollects a love that dare not speak its name. Almost one hundred years later, a groom-to-be prepares for his gay wedding. Poignant and personal, funny, tragic and riotous, these eight monologues for male and female performers cover major events - such as the Wolfenden Report of 1957, the HIV/AIDS crisis, and the debate over the age of consent - through deeply affecting and personal rites-of-passage stories. Curated by Mark Gatiss, the monologues were commissioned to mark the anniversary of the 1967 Sexual Offences Act, which decriminalised homosexual acts in private between two men over the age of twenty-one. They were broadcast on BBC Four in 2017, directed and produced by Gatiss, and starring Alan Cumming, Rebecca Front, Ian Gelder, Kadiff Kirwan, Russell Tovey, Gemma Whelan, Ben Whishaw and Fionn Whitehead. They were also staged at The Old Vic in London. This volume includes: The Man on the Platform by Mark Gatiss The Perfect Gentleman by Jackie Clune Safest Spot in Town by Keith Jarrett Missing Alice by Jon Bradfield I Miss the War by Matthew Baldwin More Anger by Brian Fillis A Grand Day Out by Michael Dennis Something Borrowed by Gareth McLean

Broadway to Main Street

How Show Tunes Enchanted America

Author: Laurence Maslon

Publisher: Oxford University Press

ISBN: 0199832544

Category: Performing Arts

Page: N.A

View: 6051

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The music of Broadway is one of America's most unique and popular calling cards. In Broadway to Main Street: How Show Tunes Enchanted America, author Laurence Maslon tells the story of how the most beloved songs of the American Musical Theater made their way from the Theater District to living rooms across the country. The crossroads where the music of Broadway meets popular culture is an expansive and pervasive juncture throughout most of the twentieth century--from sheet music to radio broadcasts to popular and original cast recordings--and continues to influence culture today through television, streaming, and the Internet. The original Broadway cast album--from the 78 rpm recording of Oklahoma! to the digital download of Hamilton--is one of the most successful, yet undervalued, genres in the history of popular recording. The challenge of capturing musical narrative with limited technology inspired the imagination of both the recording industry and millions of listeners: between 1949 and 1969, fifteen different original cast albums hit number one on the popular music charts, ultimately tallying more weeks at number one than all of the albums by Frank Sinatra, Elvis Presley, and The Beatles combined. The history of Broadway music is also the history of American popular music; the technological, commercial, and marketing forces of communications and media over the last century were inextricably bound up in the enterprise of bringing the musical gems of New York's Theater District to living rooms along Main Streets across the nation. Featuring new interviews with Stephen Schwartz, Chita Rivera, Steve Lawrence, and prominent record producers and music critics, the story of this commercial and emotional phenomenon is told here in full--from the imprimatur of sheet music from Broadway in the early 20th century to the renaissance of Broadway music in the digital age, folding in the immense impact of show music on American culture and in the context of the recording industry, popular tastes, and our shared national identity. A book which connects cherished cultural artifacts to the emotional narratives at the core of American popular music, Broadway to Main Street: How Show Tunes Enchanted America is an ideal companion for all fans of American musical theater and popular music.

Some Other Note

The Lost Songs of English Renaissance Comedy

Author: Ross W. Duffin

Publisher: Oxford University Press

ISBN: 0190856602

Category: Literary Criticism

Page: 688

View: 9261

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English comedy from the fifteenth to the early seventeenth century abounds in song lyrics, but most of the original tunes were thought to have been lost--until now. By deducing that playwrights borrowed melodies from songs they already knew, Ross W. Duffin has used the existing English repertory of songs, both popular and composed, to reconstruct hundreds of songs from more than a hundred plays and other stage entertainments. Thanks to Duffin's incredible breakthrough, these plays have been rendered performable with period music for the first time in five hundred years. Some Other Note not only brings these songs back from the dead, but tells a thrilling tale of the investigations that unraveled these centuries-old mysteries.